At its core, Wieuca is a fusion act. Having dabbled in aesthetics ranging from garage punk to triphop to folk, the group has always managed to bridge stylistic variations with a continuity in confessional lyrics, homespun recordings, and psychedelic sensory-overload. With a colorful visual identity to match, Wieuca’s focus has remained pointing out the beauty in the hideous and vice versa since its 2012 inception in Athens, GA. “Human Shield” highlights this seamless, if unexpected, fusion of sounds by enlisting Brooklyn rapper JAVAE to bring the vibe into a new hemisphere. There’s no reason why indie bands and rappers shouldn’t combine forces, but at least for now, this cut stands out as one of the very few examples.
At some point, all roads lead home—not just physically, but emotionally and spiritually as well. Returning to square one, Parker Gispert comes full circle on his second full-length solo album, Golden Years [New West Records]. With an electric guitar in hand and the amps cranked up, the Atlanta-born and Nashville-based artist delivers a collection of introspective, yet gruff rock ‘n’ roll anthems underlined by eloquent riffing, rollicking grooves, and pensive lyricism. After a whirlwind journey at the helm of The Whigs and as a solo artist, he delivers a record cognizant of both where he’s been and where he’s going. “It felt really great to bust out the electric guitars, plug into the amps, and hit the pedals,” he smiles. “Golden Years is the culmination of everywhere I’ve been so far artistically. In terms of my solo material, I was out touring by myself and playing acoustic, so I hadn’t touched an electric in years. Playing rock again was like riding a bike I hadn’t been on in a minute. It’s really the album I’ve wanted to make for a long time.” As the story goes, Parker co-founded The Whigs during college. The group went on to attract a global fan base over the course of fan favorite albums such as Give ‘Em All a Big Fat Lip , Mission Control , In the Dark , Enjoy the Company , and Modern Creation . Along the way, they shared stages with everyone from Kings of Leon to Black Keys and lit up late-night television programs, including Jimmy Kimmel LIVE! Following a 2017 hiatus, he made his debut as a solo artist with Sunlight Tonight. Eschewing feedback and fuzz in favor of dusty acoustic ruminations, it arrived to tastemaker applause from Glide Magazine and FLOOD who declared, “Parker Gispert shines on Sunlight Tonight.” He launched a packed headline tour in addition to hitting the road with Valerie June, SUSTO, RNDM, and the Futurebirds. In between, he even co-wrote “Private Public Breakdown” for Alice Cooper’s Paranormal with Bob Ezrin and Cooper. As the Global Pandemic consumed 2020, he retreated inward. Catching his breath during a reprieve from the road, he experienced a revelation. “I decided what I really wanted to do was to make a rock record,” he affirms. “It was a response to being quarantined and not being able to go to shows or hang out at rock clubs. I was trying to visualize what I would want to see if I was able to get out. For me, that was electric guitars and solos. Lyrically, it was vague, but still inspired by what was happening in the world. Musically, I got back to what initially inspired me as a child of the nineties.” Under the influence of Nirvana, Soundgarden, Pearl Jam, Stone Temple Pilots, and Built To Spill, he entered the studio with producer Roger Moutenot [Lou Reed, John Zorn, Yo La Tengo] in 2021. He would be joined by drummer John Kent [Ben Kweller], longtime guitarist Evan Penza on lead, Thayer Sarrano on keys and backing vocals, and Rob Crowell [Deer Tick, Midland] on bass. For as much as Parker nodded to his roots, he ventured into new territory. “In The Whigs, we never had lead guitar or really any keyboards,” he goes on. “This is the fully realized rock dream for me.” The opener and title track “Golden Years” pairs breezy clean guitar with wistful vocals before a soaring solo. He unlocks a rush of nostalgia, scrapbooking moments in a luminous hook as he affirms, “I promise to remember along the way. The golden years are here.” “I was at my parents’ house, and I was looking at all of these old photos,” he recalls. “When you’re in the moment going to prom or something, you’re probably thinking about the exam next week or the girl you want to make out with. You don’t think that some of these experiences will be the formative best times of your life. Since we get preoccupied with what we have to do, it’s hard to realize you’re living in the Golden Years, so this is a reminder.” He amplifies the grit on “All The Rage.” The crunchy groove cuts through a steady beat before a hauntingly hypnotic hook. To drive it home, a lead cries through the wah pedal. “Whether I was watching the news or even ESPN, the common theme was anger,” he sighs. “People are arguing constantly. Our society is unified by what we hate. That’s not a great place to be. Dignity, respect, and tolerance aren’t present. I’m not blaming the media, but they’re not helping us settle down.” On the other end of the spectrum, “You And I Forever” hinges on a fluttering melody tempered by six-string bliss. “It’s a straight-ahead personal love song,” he goes on. “It’s something I’d never written before with a pure idea and a lyric that repeats itself over and over again.” “Evil Euphoria” borders on manic psychedelia with its sonic conjuration of grainy echoes, stomping distortion, and evocative soloing. “It seems like evil actors in the world thrive when everything is in total chaos, up is down, and left is right,” he observes. “They’re happiest when they’re trying to seed discord. I took the angst in the air and channeled it into a nineties-style rock song.” “Stuck Inside Someone Else’s Dream” slips into an ethereal bridge as Parker transmits a crucial message. “It’s about staying true to yourself, living your own truth, and not living a life based on someone else’s expectations,” he elaborates. “You’re not acting as a conduit for another person’s dreams. You’re drawing your own path instead.” Parker has most definitely drawn his own path on Golden Years, and it’s gloriously personal. “I’m just a rock ‘n’ roll artist,” he leaves off. “I feel a little more comfortable in who I am than I ever have before. I’ve been through a decent amount career-wise, and I’m proud of what I’ve made. I hope you turn it up and listen loudly.” ———————————————————————————————————————————————————————————————- Parker recently co-wrote a song with Alice Cooper and Bob Ezrin for Alice Cooper’s latest studio album “Paranormal.” Parker grew up in Atlanta, Georgia and later lived in Athens, Georgia where he graduated from the University of Georgia with a degree in Philosophy. He currently lives in Nashville, Tennessee.
The Minks are Nashville’s “psychedelic-blues” band, heavy on the rock and roll. We’re talking low-down, all the way, purse-lipped, eyes-shut, head-whirling kind of groove. In 2015, on a search for creative community, Nikki Barber started the band based on the idea that "if you don't create, you'll combust". Just like a rock and roll circus, you never know what you're going to get, but you know it’ll be good. The band’s palpable sound has roots in every music fan’s top ten—from Lou to Patti to Creedence to Hank - but blends them into something totally original and current. Mixed with raw, jangly instrumentation and soulful saccharine vocals, it’s as much a throwback as it is an answer to the often overlooked underbelly of Nashville’s rock and roll scene. Look for them, on tour forever, spreading the gospel of letting your hair down and having a good time. The Minks are here. Let's boogie.